The novelist Paul Bailey, who died in October aged 87, was acclaimed for a comic brilliance, deep empathy extending to the worst personalities in his stories, and a sharpness that avoided being sterile. His novels repeatedly investigated the power of memory in shaping lives, propelled by clever, syncopated conversations. In addition to storytelling, he worked as a poet, memoir writer, and additional roles—this is an overview to the books he left behind.
Bailey was a gregarious individual, a skilled communicator with a love for “trivial chit-chat”, in the words of a creation. Alongside pal fellow writer Beryl Bainbridge used to view Coronation Street and analyze it telephonically. This fondness for gossipy exchanges appears within his books the novel Trespasses (from 1970) and the title Peter Smart’s Confessions (1977). The two present a main male protagonist besieged by humorous, irritating, exaggerated personalities, usually kin whose impact cannot be avoided. “Why would anyone desire normality?” queries Ralph’s mother in Trespasses when he reveals he is gay. Like an evening with your most clever, daring companion.
Paul Bailey authored excellently regarding elderly life, early and late in his career. His initial fiction the novel At the Jerusalem (from 1967) traces Faith Gadny’s experiences during her transition to an old people’s residence, where other occupants supply compassion missing from caregivers, whose engagement through questions “Why aren’t you ladies watching the television?”. Within his second-last book Chapman’s Odyssey (2011), a senior in hospital switches between disputing with medics (“I consume only fine wines”, he insists following criticism of his liver) and being flooded by memories from his parent, romances, fictional icons such as Pip from Dickens or Emma from Austen. The two works include comic interactions yet shadowed by approaching finality. In Bailey’s fiction, smiles are deceptive. In At the Jerusalem, “the matron beamed, then stopped suddenly”; Mrs Gadny laughs nervously if her actions are questioned. Within Chapman’s Odyssey, Harry advises that “my laughter is not genuine”. The audience’s grins, though, are real.
Apart from his stories, The author excelled as a talented life writer, releasing two self-written volumes. An Immaculate Mistake (from 1990) is a masterwork of recollection, the heading taken from his mum’s statement calling him “our error” and saying he shouldn’t exist. (“Aged, she was releasing her confidences,” he comments. “This one, she knew, would be of particular interest to me.”) Here we see the roots of misguided, loving, frustrating parents throughout his books. It likewise portrays an evocative portrait of a homosexual young man in the 1940s–50s, during a time of anti-gay laws, and his kin viewed it as suspicious for a boy to buy his mother flowers; and of a would-be thespian (Paul Bailey performed prior to authoring) who memorized Hamlet at 15. His follow-up autobiography A Dog’s Life (from 2004) centers on existence alongside his mixed-breed dog Circe, his ex-partner David, his fondness for Romania—which inspired subsequent books such as Kitty and Virgil, the title Uncle Rudolf, as well as The Prince’s Boy—and plenty of gossip, including a tale regarding Iris Murdoch dubbing a participant an “idiot”.
Bailey’s novels tend to be short—the impactful Old Soldiers (from 1980) is just over 100 pages—however, for a more condensed choice, sample his verse from later years. The two books Inheritance (published in 2019) along with Joie de Vivre (from 2022) showcase Bailey’s wit, empathy, precision in condensed form. These poems contain death and life. Two love themes recur: about his parent (“I feel nearer to you now—/ I must confess—/ than when you lived”) and for his spouse Jeremy Trevathan. Within the poem Amazement, he depicts the pleasure in enjoying “foolish television” side by side, finishing with: “It’s awesome, in its way, this act of eating cheese / and drinking wine, as the world keeps darkening.”
There is little debate that the author’s most expansive book was the novel Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He was a Booker judge in 1982, a role he disliked.) This novel the author was most proud of, even though “it exhausted him completely”. It tells Gabriel Harvey’s story, with a missing mother while his dad transforms into an insufferable elitist upon receiving money, and the events may link. It serves as a portrait of 20th-century London, an account of psychological collapse, and as funny and sad like his other works. For more, it inspired a subsequent book, Sugar Cane (1993), that he investigated by attending brothels to observe.
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